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Reply By : gypsylawrence on 9/7/2013 6:58:06 AM
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A classic case of the public being told what''s hot before they validate the assertion through their own action.Dear Samsung and the rest of tech: You''re not Steve Jobs .With that in mind, I don''t think Apple is going to drop the ball here. As skeptical as I am of Tim Cook as CEO, I can''t believe he''s just going to do the expected. Maybe he''ll come hither with less expensive, larger-screen, multi-colored iPhones at next week''s events in Cupertino and China .But, from there, all I can do to settle my stomach is believe that those of us who love Apple and want it to remain dominant should expect the unexpected.You could argue that Apple copied the artist formerly known as RIM , but I don''t classify iPhone as a Blackberry ( BBRY ) knockoff. Steve Jobs simply took the notion of a smartphone -- as it was clear RIM wasn''t about to evolve, let alone revolutionize its own creation -- and disrupted the living snot out of it. Just like he did prior when iPod replaced all other portable music players and after when iPad disrupted the PC market.Decent case scenario -- Apples does the same here. It takes this absurd, clunky Knight Rider watch Samsung unveiled Wednesday and, somehow, turns it into something like a remotely normal person might want to carry on his or her person.Best case scenario -- the iWatch is a mere head fake. If Apple even considered it, it dropped the plans long ago. They didn''t really hire a guy from Nike to help design it. It was all a bad dream. Tim Cook realizes wearable tech will go down as the Pets.com of 2013-14. And iWatch is scrapped.Something tells me most of us do not want -- or have room for -- an entirely new piece of technology in our lives. We just want somebody to come along and improve on the stuff we use everyday. That''s the role Apple has played, for all intents and purposes, over the last several years.That''s why I''m not forgetting about (or losing hope in) Apple''s living room plans. The next logical step -- after just nicely upgrading the existing pipeline -- is to take the television viewing experience and do to it what Apple did to the Walkman, Blackberry and laptops powered by Windows.That''s it. Kill another category . But do it in such a way that it doesn''t attempt to shove something we absolutely do not need -- like a freaking smartwatch -- down our throats.Follow @rocco_thestreet-- Written by Rocco Pendola in Santa Monica, Calif. Rocco Pendola is a columnist and TheStreet''s Director of Social Media. Pendola makes frequent appearances on national television networks such as CNN and CNBC as well as TheStreet TV . Whenever possible, Pendola uses hockey, Springsteen or Southern California references in his work. 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The label – for those who aren’t familiar with its double-cherry logo – is one of Europe’s most venerable lifestyle brands for kids. Since the first store’s debut in 1975, the clothing has maintained a consistent look, comprised largely of pretty smock dresses for girls, mini blazers for boys and soft knitwear for all.More Related to this Story[b][url=http://www.monclerjacketspro.com]moncler jacket sale[/url][/b] The slim-cut aesthetic: Canada embraces Swedish fashion house CP VideosVideo[b][url=http://www.monclerjacketspro.com]moncler coats[/url][/b] Video: Preppy vs. punk rock: Back-to-school trends for tweensVideo[b][url=http://www.monclerjacketspro.com]moncler outlet store[/url][/b] Video: How parents can save on back-to-school supplies ThinkstockVideoVideo: When are kids old enough to get themselves to school?But since joining Bonpoint in 2006, artistic director Christine Innamorato has been taking subtle steps to update the brand’s aesthetic. Conscious of the need to preserve Bonpoint’s sweetness while injecting a bit of cool, she dressed one pint-sized model at the show in a leather jacket, a pleated skirt and Dr. Martens boots. Another wore a tartan blazer, a pinstripe shirt and a bowtie, while a young girl reminiscent of Marion Cotillard accessorized a polished cashmere and broadcloth coat with a faux ponyskin bag.Bonpoint’s fall collection, like other children’s brands, is just now arriving in stores worldwide, timed to back-to-school shopping. But as Innamorato said in a recent e-mail interview, “the ‘beautiful’ clothes” of the past are having “more and more difficulty finding their place. This represents a capital challenge for Bonpoint: to reinforce the house’s roots and values in this ‘chic’ universe.”It only takes a quick glance at publications such as Milk (the Paris-based kids’-fashion magazine aimed at savvy parents) or highly stylized mommy blogs like Romy and the Bunnies (the brainchild of new mother Julia Restoin Roitfeld, daughter of former French Vogue editor Carine Roitfeld) and The Glow (started by a fashion editor and a photo director in New York) to realize that children today are stepping up their fashion game, trading smocks for peplums and mini blazers for skinny jeans.In part, this movement toward edgier, more mature kid style can be attributed to the many forays into children’s wear by designer lines of late. Armani Junior, Baby Dior and Moncler Enfant were among the first. They have been joined more recently by Stella McCartney, Chloé and Lanvin.But if the trends embraced by these brands inevitably trickle down to the kids’ lines, the latter, says Nicole Yee, the children’s editor at Stylesight, a trend-forecasting agency, aren’t necessarily carbon copies. “Brands are being inspired by ready-to-wear, but they’re not just shrinking silhouettes down to a kid’s size. So much is about comfort and tweaking these clothes for kids.”This season, for instance, chambray shirts are big in children’s wear, from Joe Fresh to Burberry. The bondage trend? Not so much (and rightly so).Innamorato, in particular, isn’t enamoured of the idea of pulling directly from grownup fashion. “I am not delighted to see that this process happens a bit too much,” she says. Instead, she still draws on words like “gentleness,” “tenderness” and “tradition” to describe her designs, adding that the goal is to punctuate them with just a little “sass.”In many instances, though, parents are now applying the same principles employed by street-style darlings and magazine editorials – mixing high fashion with high street, formal with fun – to how they dress their broods. They will invest, for instance, in a Sonia Rykiel piece but supplement it with Old Navy. likewise, a tulle tutu dress might be paired with a grey sweatshirt and desert boots instead of the usual sparkly slippers.According to Emily and Elizabeth Dyer, co-owners of the Toronto children’s boutique Advice from a Caterpillar, practicality still rules when it comes to buying for kids in North America, but there is nonetheless a growing interest in what they refer to as “culty” brands such as Bonpoint, Bon Ton, Bobo Choses, Album di Famiglia and the chuckle-worthy Finger in the Nose. When selling these brands, they must often, they say, justify the higher prices for European labels and do so by highlighting their craftsmanship.“Instead of buying so much, you buy your favourite pieces and keep your child in them all the time,” Elizabeth says she tells clients. She adds, jokingly, that a Bonpoint dress will wear well – it just might get shorter. CommentsPrint / LicenseA AEditors'' PicksCommentarySaint Mary’s students should see the consequences of condoning sexual abuseLifeHow Alyssa Milano''s sex tape is helping draw attention to SyriaArtsWhy celeb gift lounges are good business for brandsReport on BusinessGlobally, countries are burning off more natural gasGlobe CareersFollow the rules when firing workers or face potential lawsuitsMost popular video »NewsAt Saint Mary''s University, sexist frosh video sparks furorNews''Hero'' dogs bark invading cougar away from homeNewsNorth Korea executes leader''s ex-girlfriendGlobe DriveExpert who has seen more than 5000 crashes tells you how to avoid themNewsObama, Putin shake hands at G20 SummitArtsBenedict Cumberbatch honoured to be part of TIFFNewsAnthony Weiner gets into shouting match with voter◀●●▶HighlightsReport on BusinessMoney and talent drive East Coast business revivalGlobe DriveHow does Red Bull''s new driver stack up against his talented teammate?More from The Globe and MailGlobe InvestorCarrick on money: How to save money on everything funLife4 top tables: where to dine in Edinburgh nowMost Popular StoriesHow Alyssa Milano''s sex tape is helping draw attention to SyriaWorld leaders uncertain about who launched Syria chemical weapons attackU.S. intercepts Iranian order for attack on U.S. interests in Iraq: reportSeptember 6: Your daily horoscopeSaint Mary’s student president says rape chant was ‘biggest mistake ... probably in my life’ More Top StoriesWorldEgypt moves to dissolve Muslim Brotherhood NGO: reportsLetters to the EditorSept. 6: Wazoo subways, and other letters to the editorFootballDenver crushes defending champions Baltimore to kickoff NFL seasonWine & SpiritsEven a rosé from Brangelina doesn’t get much fanfareAuto NewsWhich car has AWD and a small carbon footprint?Technology VideoHalifax defence show highlights futuristic gadgets and vehiclesVideoEvery Canadian Forces mission since 1945 turned into musical mapSalinger''s dorm inspires, awes Ursinus College studentselectric Rental Cars Coming to OrlandoBlackBerry seeks sale by NovemberPhotosParty photos of the week: Shangri-La Hotel’s first birthday bashBest pictures from the past 24 hours[b]<a href=http://www.monclerjacketspro.com/>moncler kids outlet</a>[/b][b][url=http://www.monclerjacketspro.com/]moncler womens jackets[/url][/b]

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[b][url=http://www.mreplicawatches.com/]best replica watches site[/url][/b] | [b][url=http://www.mreplicawatches.com/]swiss Mechanical movement replica watches[/url][/b] | [b]<a href=http://www.mreplicawatches.com/>high quality replica watches for men</a>[/b] The New York Review of BooksAdvanced SearchCurrent IssueBlogsNYRblogNYRgallery50 YearsEventsPrint ArchiveClassifiedsSubscribeGift a Gift SubscriptionRenew SubscriptionDigital Edition by ZinioAcademic/InstitutionalNewslettersSubscriber AlertShopIllustrations50 YearsNYRblog : Roving thoughts and provocations from our writersNYRblog : Roving thoughts and provocations from our writersRoving thoughts and provocations from our writersE-mailSharePrintCommentsHyderabad in Five ColorsPico IyerNoah Seelam/AFP/Getty ImagesLaborers in front of an apartment complex for technology workers, Hyderabad, India, March 3, 2012[b][url=http://www.mreplicawatches.com]watches[/url][/b] When I flew into Hyderabad’s new Rajiv Gandhi International Airport not long ago, I was excited to visit a city that had become my ancestral homeland’s latest technological showpiece. A well-traveled American businessman I met in Singapore had told me about the elevated expressway running into town from the airport—like Silicon Valley, he said, only cleaner. Great glassy boxes saying “Oracle” and “Microsoft” and “Google” did indeed fill the skyline in places, and design hotels were lit up in turquoise and purple after dark. Sudden clusters of shopping-malls were like nothing I’d seen—or imagined possible—in India. Even one of the palaces of the late Nizam, the ruler of Hyderabad once said to be the wealthiest man in the world, had recently been turned into a $700-a-night Taj Group hotel that society matrons from New York’s Upper East Side were flocking to pay homage to.[b][url=http://www.mreplicawatches.com]high quality replica watches[/url][/b] And yet the state-of-the-art expressway, in the parts I visited, seemed to be still under construction, and the kids who abducted me from the “Pre-Paid Taxi” line at the airport and thrust me into a rickety car—the only one to get pre-paid was the official they bribed—had not a clue how to negotiate either the vehicle or the road. The meal I ordered at the design hotel has yet to arrive, and the “Free Internet Terminals” around the airport were either malfunctioning or taken over by bored security guards; I could use one only if I paid, I was told. When I thought back to the India I had known in the 1980s, it was exhilarating to see how many channels were on TV, how glossy were the magazines (and the people in them), how Thums-Up Cola has been joined by Coke. But as I drove along the ill-lit streets, under ads for MBA courses and “Veg Supreme McMuffins,” the place still looked strangely like a scene out of some vanished age, infinitely more crowded and revved-up than before, but no less chaotic.[b][url=http://www.mreplicawatches.com]high quality replica watches[/url][/b] The beauty of India, I thought, lies in how little it ever changes, deep down; it clings to the ways of a thousand years ago, and to the multifarious customs it has adopted in the centuries since, with an intimacy that many a neighbor might envy. No one in search of the old in India ever comes away disappointed. But that is also, famously, the exasperation of India, especially for those (in business, say) who want reality to keep pace with possibility. For centuries the country has enthusiastically taken in every new influence from abroad and woven it into a pell-mell design that seems as Indian as ever. Its people got cricket, Dickensian paperwork, and the English language from their British rulers, and now all those could almost be mistaken for Indian inventions; they took in Parsees and Jews and Christians, with the result that a thousand religions flourish in India, often shouting their opposition to one another at the same time. 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But it also speaks to how resistant the place is to being altered, even if its surfaces are constantly shifting.[b][url=http://www.mreplicawatches.com]cheap watches[/url][/b] Every visitor who goes to India—and I’ve been back twice in the past seven months—knows how the country refuses to conform to plans or international expectations; the only way to survive is to give yourself over to its way of being. Fight against the Indian way of doing things, wish that things were different, and the only result will be tears. Just as you have to turn your watch forwards by half an hour when landing in India, just as you have to check in the batteries from your camera as separate pieces of luggage, just as it can prove impossible to find a working Internet connection in a proud center of high-tech like Hyderabad, so every foreigner has to surrender and realize that things will get done in their own, unexpected ways. The very qualities that make India so culturally alive, textured and itself make it uncommonly reluctant to adjust to the economic rules and geopolitical norms of the world. India most happily changes the lives of those who have no thought of changing India.[b]<a href=http://www.mreplicawatches.com>fake watches</a>[/b] * * *Perhaps many an Indian who still lives there will say that this is the typically ignorant and incomprehending perspective of a “Non-Resident Indian,” and perhaps he will be right. like more and more across the planet I am entirely of Indian origin, but I’ve never lived in my parents’ homeland, merely visiting it at regular intervals since 1959. And because of India’s unique way of doing things, the gap between Indian perceptions and those of the outside world may be as great as in any country this side of China or Japan. “Reimagining India” is always going to be very different from remaking India, especially if that act of reimagination comes from abroad. The country’s extraordinarily resourceful and creative people have always given rise to brilliant ideas that the place’s collective institutions and weight of tradition have not always been able to make space for. It’s the very inertia of the system that sometimes keeps individuals so nimbly on the move, in fact.In my own field, writing, those of Indian origin have, in a single generation, begun to dominate the Western world’s major prizes, a reflection of their formidable talent, ambition and—often—humanity; and when it comes to those on whom we writers rely—readers—I’m confident that even if every publishing house and newspaper in the West closes down, India will still be generating new ones. Every time I meet an Indian businessman or doctor or engineer—and it’s graduates of the Indian Institutes of Technology that have been behind 40 percent of Silicon Valley’s recent start-ups—I’m struck not just by their accomplishments, but by the fact that, very often, they’re reading more novels (and even writing them) than I am, though it’s my sole business to do so.But then I think of the crowds along those roads in Hyderabad, where the number of vehicles seems to have increased ten-fold, even as the number of pedestrians, bicycles and cows may have increased even more. Every night, as I inched through the streets in a taxi, I saw bodies lying in the road, or beside it, surrounded by circles of wildly gesticulating bystanders in the dark, as if to speak, too literally, for the victims of uneven or over-rapid development. I think of the hundreds of millions of Indians living within sight of those gleaming malls and Facebook offices whose lives have not changed at all, except that now they can see all that they may never enjoy.India has long been a place that defies logic and analysis as resolutely as anywhere; long before its recent growth rate began to stall, it had been a graveyard of well-intentioned dreams. When I took my trip to Hyderabad, it was, as it happened, to visit Ramoji Film City, acclaimed in the Guinness Book of Records as the largest film studio complex on earth. The place also calls itself the most visited site in the country, outside the Taj Mahal. More than two hundred and seventy films were projected to be shot there that year, and with its zany mix of Hollywood sign and Wild West town, “Japanese Garden” and replica of, in fact, the Taj Mahal, it’s a memorable location. The man who built it, Ramoji Rao, has also founded a journalism school and a film-and-TV school on the premises, not least because he owns the largest newspaper in the state, along with twelve TV channels.But as I spent a few days on the property, magicked out of the scrubland sixteen miles outside Hyderabad, everything I saw was very different from what the facts and figures had prepared me for. Nearly all the visitors were Indians, often from nearby, understandably enraptured to see an amusement-park-cum-production-facility-cum-enormous-botanical-garden that was as close as most of them would get to Universal Studios. A sound engineer I spoke with seemed as professional, as technically accomplished as any counterpart I’d met in Hollywood—and more articulate and thoughtful besides; but in fifteen years only a handful of Western companies had tried to make films here, although the cutting-edge facilities were available at a tenth the price. And when I visited some sets where movies were being filmed, I noticed, not without delight, that these were exactly the same movies—with the same mustachioed villains, star-crossed lovers, and song-and-dance routines—I might have seen in 1975, when I spent a whole summer as a teenager traveling across India, watching films.This very changelessness, and loyalty to Shakespearean laws of entertainment and instruction, make Indian movies popular from Russia to Peru and Egypt to Bali; they speak for human dramas that anyone can relate to. Ramoji Film City was affecting precisely because its properties seemed so hand-made and indigenous and improvised—ladies from the villages sweeping the gardens, their saris over their head. It couldn’t begin to live up to its hope of luring international film-makers—after all, the boys at the airport couldn’t even find the most visited site in the country outside the Taj Mahal—and yet it was engaging and unique because it was so Indian.Finally, not far from where Chairman Rao lives in a Citizen Kane-worthy palace overlooking the site, I was ushered up to the top of a nine-story building, and let in to see the man himself. He was sitting, modestly, in an open-necked white shirt in front of a huge, completely empty desk, a friendly-seeming man of seventy-five. At the far end of his enormous office eighteen TV monitors projected programs, most of them from one of the channels he controls. There was no computer or high-tech intercom service on his desk; nothing, in fact, but a tiny notebook with lines written out in a rainbow of colors.A habit of boyhood, perhaps, that guided and steadied him even as he became one of the richest men in the state. Anyone who’s been to India could recognize the scene: a tycoon running a multi-media empire and overseeing what he called “the world’s dream facility” with a notebook and five colored pens. India is not going to change at its core anytime soon, and the challenge for all of us who love it is to see the blessing in that and not the aggravation. September 5, 2013, 1:36 p.m. Note: All comments are moderated. 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For years I''ve had this 4XL Crosby replica jersey that two of me can fit inside, and I think I might just toss it over it to at least look like a proper hockey player. Avalanche coach Patrick Roy says Nathan MacKinnon will start the season centering the third line. It still feels weird to type ''Avalanche coach Patrick Roy''. Hey look, it''s TK the Shark! Sharks forward Tyler Kennedy speaks to the media following the first day of training camp on Thursday. So long, Baltic Avenue. We''ll see which one of 26 possible candidates might take your place on the third line RW.  Tweet Share31CommentsLatest NewsThat''s so Metro- Columbus Blue Jackets PreviewTop 25 Under 25 - #12 Anton ZlobinPens split into 3 groups - offer hints at linesNiskanen, Despres and Salary Cap GymnasticsTop 25 Under 25 - #13 Matia MarcantuoniPens Points Wednesday: Camp Opens; Pitka-Niska-NenPens Training Camp Preview: Several Question MarksPens sign forward Chuck Kobasew to tryout contractTop 25 Under 25 - #14 Harrison RuoppTop 25 Under 25 - #15 Jake GuentzelIn This ArticleTeamsPittsburgh PenguinsPhiladelphia FlyersPlayersJoni Pitkanen (D-CAR)Marc-Andre Fleury (G-PIT)Zdeno Chara (D-BOS)Claude Giroux (C-PHI)Tyler Kennedy (LW-SJS)Ron Hainsey (D-CAR)Tanner Glass (LW-PIT)Simon Despres (D-PIT)Beau Bennett (RW-PIT)Nathan MacKinnon (C-COL)Stay connectedfor news and updatesFollow @PensburghRecent PostsTrendingThat''s so Metro- Columbus Blue Jackets PreviewTop 25 Under 25 - #12 Anton ZlobinPens split into 3 groups - offer hints at linesPetit falls a strike short of perfectionWeek 1 Watchability IndexUFC Fight Night 28 Results: Teixeira vs. BaderThe process never stopsThe Next Read1 day ago/ 54 commentsPens split into 3 groups - offer hints at linesabout 8 hours ago/ 1 commentsTop 25 Under 25 - #12 Anton Zlobin[b][url=http://www.newomegawatches.com/omega-gents-collection-c-8.html]watch[/url][/b][b][url=http://www.newomegawatches.com/omega-gents-collection-c-8.html]watches for men[/url][/b]

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Once you have a group of people who have put their lives on the line every single week it’s hard to maintain that. And then the specifics, of course, would be better answered by Mr. Matt Nix. MATT NIX: It’s a question for you guys. But I think one of the central ideas and conflicts in this series has always been between Michael’s work and Michael’s family. And he started this series as a very isolated guy. And over the years he has acquired this family and these friends and these relationships that he didn’t have at the beginning. But we’ve always talked about the idea that there’s a reason that a spy who’s putting himself in these kinds of situations so consistently doesn’t have a bunch of close relationships. And I think that it was important to me to say why have the last seven years mattered? Are those themes that we’ve addressed over the years, are they real? And I think the answer to that has to be yes. And so Michael’s always had to balance the two sides of his life and the final two episodes are really about choices and sacrifices. And it’s not just about being (fat) or killing off the character. It’s also about taking seriously the things that we’ve talked about and the issues that we’ve addressed over the last seven years. QUESTION: Matt, the way that you’ve wrapped up the show here this season, how does that align with your original idea for ending this series? Is it pretty much on the same page or were there pages you used from your original plan in previous season finales? MATT NIX: Both, really. And the kernel of the idea which I would really say is this season and what Michael has been going through this season and dealing with James Kendrick and his organization, that was in my mind from maybe not the pilot but as soon as I - that first year I had a sense that we needed to land in a place that wasn’t just about Michael fighting another bad guy but was really about Michael wrestling with the demons and himself. And tempted in a way to become the very thing that destroyed him in the beginning of the series. You know, the people that burned him were in an organization operating outside of an established political structure and doing their own thing who felt that they were doing the right thing but Michael was collateral damage. And it’s an easy thing to become that if you’re not careful if you’re doing the sorts of things that Michael does. And so that seed was always there. But at the same time over the course of seven years you discover new things and I’d say that the emphasis on the team and the way the family came together in the show that was a much bigger element than I anticipated at the beginning of the show, if that makes sense. QUESTION: This week’s episode kind of left Michael in a real pickle there at the end of the last episode. He had to basically break cover in order to save Sonya’s life. What can you possibly tease about how he gets out of that? Is he about to launch into a big spiel of fast talking or...? MATT NIX: Actually I think that people will be surprised. The ending of this season, the way that Michael deals with Kendrick and his organization, fast talking is what Michael did in virtually every other episode of Burn Notice. And part of what makes Kendrick a formidable ally and opponent is that he’s not a hypocrite. He really believes in what he’s doing. When he says we don’t leave men behind, they don’t leave men behind. When he says he’s more committed to this organization than to anything else, he believes that. And so I don’t think I’m giving anything away by saying Michael does not die at the end of Episode 11. But it’s not simply weaving another little web of lies. It’s a very different turn for Michael which I think will surprise some fans. And I think it’s ultimately all about addressing these themes that have emerged over the years, and these elements of Michael’s character. QUESTION: Matt and Bruce, the season has been very emotional for all of the characters with Michael so separated for most of them. But one of the fun aspects of that has been that we’ve seen Sam and Jesse become this really great team. Is there any thought to maybe a spinoff with those two characters? JEFFREY DONOVAN: I guess that’s probably a Matt Nix question. MATT NIX: There’s certainly a lot of thought on Bruce’s and my part. Let me put it this way: it’s something that we have kicked around and it’s an idea that we’ve liked. And obviously three guys don’t get together and make a television show in their garage. If the opportunity ever arose [to] do something like that, then that’ll be really fun. But there’s nothing specifically in the works other than that we all think it would be fun to do if the opportunity ever arose. QUESTION: And Bruce do you agree? BRUCE CAMPBELL: I do. I do. Yes, it’d be a different show. It’d be something that I know that I would enjoy. And I enjoy working with Coby because it would just be a whole different kind of dynamic. It’s been really great working with Donovan. But this is all bologna. There’s really nothing to talk about right now other than the fact that it’d be fun. But you really do have to jump through a lot of hoops to get a show on the air. So right now it’s really just a bunch of random Twitter talk. MATT NIX: I will say though just in terms of the - and just really quickly, in terms of what’s gone on this season, one of the really fun things about working with all of the actors is the things that they bring to the role that influence the direction that the series goes. So when you talk about like this has been a really emotional season, that has a lot to do with my conversations with Jeffrey and him saying, “I really think that we’re going to a more emotional place.” And I want to address that. And it’s been an opportunity for me to and the other writers to embrace that and run with that. And that’s really, it’s a team effort. But it’s really a credit to Jeffrey that that was something that he was bringing out. And in the case of Bruce and Coby, I actually say you can just see it in the writers, you put those two characters together and they’re really funny and the scene just pops. And inevitably in the next episode somebody is thinking of something to do and they’re like, “Oh, maybe we put Sam and Jesse together.” And it’s a credit to both of you guys, Bruce, that that just emerged. It wasn’t like anybody sat down and said, “Let’s make Sam and Jesse this fun team.” It was really just every time you put them on... BRUCE CAMPBELL: Well I appreciate that. MATT NIX: ...the screen that happened. BRUCE CAMPBELL: As you know, Coby Bell is very difficult. That’s a well-known thing within the industry, his temperament and his - well frankly, anger issues. MATT NIX: But I don’t know how you dealt with it. BRUCE CAMPBELL: Well, we’ve overcome. And no, sometimes you turn tragedy into triumph. And I think that’s what we try to do. The fart jokes.  The little trumpet singing he does, all of... MATT NIX: That can sometimes break through the dark miasma that is rolling in his universe. BRUCE CAMPBELL: Yes. I think that thoroughly answers that. QUESTION: So by my count Burn Notice filmed the same number of episodes as Miami Vice did, 111. And obviously it’s been a huge boost to the local production industry. And I’ve gotten a lot of feedback from people in the industry who blame part of the reason there’s not a season on the loss of the Coconut Grove Convention Center. And I was hoping Matt, could you talk about that in terms of the prospects for an eighth season and whether any local production issues came into play there? MATT NIX: Ultimately, no. It would have been a pain in the butt to find a new place, but I don’t think you decide to make or not make a series on the basis of whether the stage spaces are available. So there were a lot of factors that went into it. But a lot of them were just creative. And when you’re making a series you really have a choice. You can either end it on your own terms, in which case you will be invariably ending it what feels like a little early. Or you can end it when you get yanked off the air, in which case you will invariably be ending it a little bit late. And so between the two of those, there are obviously positives and negatives, but I think that everybody - we were all, I think, very happy this season, when you know you’re ending. You think about loss, like they asked for an end date so that they could bring things to a close. And once we had a sense that this was going to be the last season we were able to do a new kind of storytelling and the kind of storytelling that I’m really proud of. So yes, it wasn’t like we were like, “Oh well, fine. If you’re taking away the Convention Center we’re taking our football and going home,” not at all so. QUESTION: Is there anything that you guys wanted to do on the show that you couldn’t for whatever reason, in terms of character, stunts or whatever. BRUCE CAMPBELL: That’s a good question. Jeffrey, what did you want to do? JEFFREY DONOVAN: Well, I’m a private pilot. And I fly a (Cirrus), which is an unbelievable plane. And I wanted to actually shoot a scene where you don’t cut so you know it’s me. And I actually fly me and Bruce or something like that, or me and my mom, to safety. And the camera is on us. And you see us actually be flying. I really wanted to do that. But we never got to do that. BRUCE CAMPBELL: I agree. I think Jeffrey and my stunt double would have done just a great, great sequence. JEFFREY DONOVAN: Gee, thanks Bruce. BRUCE CAMPBELL: I roller skate like a mother scratcher. And I’ve pressured Matt, what do these people do in their off season, when they’re not working? I can never sell that. I tried it eight different ways, seven different seasons, never got in. So I’m going to make a YouTube video and I’ll be done with it. MATT NIX: But you wanted to bowl as well. Are you actually a good bowler? BRUCE CAMPBELL: Well bowling, yes, bowling, that was just one thing. JEFFREY DONOVAN: He’s not a good bowler. You would need your stunt double for that, Bruce. BRUCE CAMPBELL: Yes, I’d say Jeffrey you also wanted to have an episode where you played a full 18 holes of golf on screen. JEFFREY DONOVAN: Exactly. BRUCE CAMPBELL: We were unable to do that. JEFFREY DONOVAN: (Sold my soul) (unintelligible) in four and a half hours. It was an 18-hole match. MATT NIX: For me that’s a hard question to answer just because I have a book of theBurn Notice episodes that I was never able to do. One thing actually though, just being in Miami there are certain things that just seemed totally logical to do, but for various reasons are almost impossible to do. So a boat chase, you need like six boats to actually do a boat chase so that you have boats on cameras and then this boat and that boat and three water safety crews. And once you actually get into the logistics of doing a real boat chase, it seems like the most natural thing in the world to do on Burn Notice, but it was something that we - we did pieces of boat chases and little stuff. But we never actually were able to do that kind of thing. And also we always joked that we had a - on Burn Notice just because of our production schedule we were given special versions of the screenwriting software that would not allow us to write the word “night” because we can almost never shoot anything at night. So if you watch Burn Notice, whenever it’s night they’re almost always inside, so that was... QUESTION: I think lost you for a second there. I have one more follow-up question which is for a show like this or any show that features a hero, is it possible for the hero to have a happy ending? JEFFREY DONOVAN: Yes, thank you. I would say that if you’re telling a real story, and you think about any classical story the ending will have both triumph and tragedy in it. You know what I mean? I think if you’re just telling a story that has a sad ending, then that’s a bummer. That’s usually not why we go turn on the TV or go to movies or whatever or read books. At the same time if it is just happy then it really feels like the story doesn’t have any weight or consequence. And so I think that it’s always got to be a mixture of those two. QUESTION: Oh I’d like to go back to Jeffrey and Bruce and ask what has the show meant to you? JEFFREY DONOVAN: I’m not - it’s kind of a general and vague question. Can you be more specific? QUESTION: Well, what does it mean to you and your career? What has it done for you? What stands out from you over all the seasons? JEFFREY DONOVAN: I don’t know. Bruce, why don’t you take that one? BRUCE CAMPBELL: It was a great gig is what it was. You know actors - there’s so many levels to being an actor. One is trying to get in your local community theater play. Sometimes that doesn’t even work. Sometimes you get in a local commercial and you’re happy because you nailed that. Sometimes it’s you’re great just because you’re happy to get an agent. And then once you get the agent can they get you better jobs? Then if they get you better jobs can you actually get those jobs? Burn Notice was a case where it was not just something that got picked up or ran one or two seasons. It got picked up and was successful right from the go get. And pretty much we had seven strong seasons. So it’s the equivalent of a grand slam home run. So Jeffrey and I, I know we can each put that on our resume. Same with Matt Nix and anybody else who worked on the show that they worked on one team that won the World Series.And we’ll always have that on our resume. And you can’t take that away from us. And frankly it makes up for a lot of the stinkers that we’ve all had in our career. QUESTION: Jeffrey, anything you want to add? JEFFREY DONOVAN: I agree with that. BRUCE CAMPBELL: I will add one little thing though. And I know you can still at least hear me I think, is that when you work on a show for seven years you meet a lot of great actors, a lot of great writers, a lot of great directors and producers. So it’s really given us all a database in our heads of people that would be kind of fun to work with in the future. And normally you wouldn’t get that if you weren’t spending a long time on a show. QUESTION: Was there any memorabilia that each of you took that was special to you at the end of the finale? JEFFREY DONOVAN: I took one (unintelligible). BRUCE CAMPBELL: Is anyone from Fox listening? Yes, that’s... I know that I paid for some things. MAN: What did you buy? MAN: Didn’t you get some shirts? BRUCE CAMPBELL: I bought the best of the best of the shirts that had the best patterns, that I liked the best. I bought my jewelry which I found out was the most expensive part of purchasing that because they actually wound up making them gold after about the third or fourth season so I was like wow, those are expensive. They’re like, yes we thought we had gold instead of a cheesy plating. But the most important thing I wanted was a Sam Axe notebook. It’s a spiral notebook. Sam is a little more old school where he does jot down actual notes when he’s listening to people talk on the phone. So I have a spiral notebook that throughout the last five years of the show that I used that I put dates. Every time I did a little notepad, I put the dates on it. And so to me it’s a little Smithsonian piece that I’m going to keep. It means absolutely nothing to anyone. And that’s why I like it. MAN: That’s really cool. JEFFREY DONOVAN: I - no. I wanted a chair for my lawn. BRUCE CAMPBELL: You didn’t get that? JEFFREY DONOVAN: It was a little green chair that had kind of a silver railing to it, arm rail to it. BRUCE CAMPBELL: Yes, it’s club chair. It was a... JEFFREY DONOVAN: And it was a really great chair. And I must have sat on it for seven years. And when I went to the head dresser and I said, “Yes, I’d like to buy that chair. where is it?” I was informed that it was never Burn Notice’s. It was actually a set decorator’s chair. He lent it to the show. And when the show’s over he took it back. BRUCE CAMPBELL: Oh wow. JEFFREY DONOVAN: So I didn’t know that my living room on one of the most successful TV shows in USA Cable’s history was a loaner. So that was the only thing I wanted. But no one knows that I actually own and possess one of the most iconic things that was actually on the show. But I owned it from the get go and that was my original Oliver Peoples aviators. When we shot... BRUCE CAMPBELL: Oh those were yours? JEFFREY DONOVAN: ...the pilot those were my sunglasses. And when… BRUCE CAMPBELL: See I didn’t know that. JEFFREY DONOVAN: ...offered a choice that was cleared, I didn’t like any of the glasses. So I said I’d like to use my own and Matt said, yes, that’s fine with me. And so we shot the pilot with my own. Then when the series was picked up they got a replica of it and changed the lenses so that they would be less reflective. But the original Michael Westen sunglasses are in my possession. And obviously I don’t wear them anymore because they’re too iconic and I’d get bothered everywhere I went. But I’ll always hold onto those forever. BRUCE CAMPBELL: I also say call sheets. Those are the little daily worksheets that has a list of who worked that day and what scenes you’re doing and where you are. So I save them like once a week so I know I have a good document of all the actors that came and went. It’s just a fun little record. MATT NIX: Well, that’s a good idea. I can creep you out actually with what I have, Jeffrey. I actually did not realize this until the last episode, but Jeffrey and I are the same suit size and shoe size. So I was hanging around with one of our (costume) (unintelligible), and he kept bringing - like I needed shirts for something. They were doing interviews or something. And he kept bringing me shirts. And I realized at a certain point, “Wait, these are all Jeffrey shirts, I’m wearing Jeffrey’s wardrobe, right?” And he’s like, “Yes, it doesn’t really matter because he’s done with that scene and he doesn’t need this shirt anymore.” And he kept bringing them. And I was like, “Wait a second, what size suit is he?” And he was like, “Oh, he’s 40 regular.” I was like, “And what waist size, inseam?” I’ve got to get them taken in a little bit but I got four of the - I got the tan suit. I got four of the iconic (unintelligible). JEFFREY DONOVAN: You got the official Michael suits. MATT NIX: Yes because I was like, “Well, they’re good suits. And there’s no sense not taking them”. And a bunch of shoes so I guess I’m going to have to wear suits around all the time now. But I was like yes, the tan suit, that’s a good thing to have. I’ll take it. QUESTION: Now you have your own Halloween costume. You have a Halloween costume for the next few years. MATT NIX: Yes exactly, totally. QUESTION: And what’s next for you and Bruce, Jeffrey? What’s next for you? JEFFREY DONOVAN: I’m resting. I’m resting. Bruce? BRUCE CAMPBELL: You know, we’re actors that were fortunate enough to work before Burn Notice. Hopefully we’ll be fortunate enough to work after. So there’s a bunch of stuff floating around but anything I mention today would all be bologna because it can’t be confirmed. QUESTION: Jeffrey, when we spoke before and you speculated about whether there would be a seventh season, you imagined that Michael was going to have to go a dark place. Now that you’ve actually done that I’m wondering what that process was like for you as an actor. JEFFREY DONOVAN: I was right about something? Holy shit. Yes. I think that the reality of the season was a lot harder than I imagined. And I give Matt and his team of writers a lot of credit for taking not only the audience but me the actor down a path that was incredibly difficult. One of the things that Matt and I have always talked about was what’s underneath, when you peel away these layers of the onion, what’s at the core of Michael, and that journey was in the seventh season. And what we find is a - I’m not trying to be funny but it’s a frightened little boy. And I’m not sure if I even knew that when I started the pilot with Matt. But no, with anything the seven-year marriage with Matt and writers, it was a world of discovery that was really just an incredible joy to pursue. And a lot harder I think to pull it off in the end. It certainly tested my abilities. And I think that Matt might even feel like it tested his ability but I think when you push yourself to create something that you’ve never done before, if you do it right I think you can pull something off pretty magical. And that’s what I feel like we pulled off, something magical for our final season. QUESTION: And Bruce, what do you think about the fact that Sam has sort of become the responsible one in that group? Does that surprise you? BRUCE CAMPBELL: I like it. Because reporters, the first couple seasons were like, “So you’re the guy that rats on Mike.” I’m like, “Shut up with that already. He’s done with that.” You know, characters grow. Sam was worried about his pension. You would be too. So yes. Nice to have him - any character grow from the fun loving guy to the guy who actually really is concerned for everybody. And everybody has their own moral strength. I’m glad to see that Sam had a pretty good moral core. He knew when something was really bad and that it’s a gut feeling. And everybody has it. So I think each character at one point or another was there to help, it takes a village to raise a spy so I think that’s kind of the theory. QUESTION: What will each of you miss the most about working on the show and what will you miss the least? MATT NIX: I think the thing that I’ll miss the most is just there’s this opportunity - as a writer, you get struck by some idea or something you want to do or whatever. And when you’re running a show like Burn Notice, we’re really able to do a new kind of thing each week. There was always going to be action in it. There was always going to - it’s the same characters. But one episode could be on an island and dealing with a bunch of guys, bunch of mercenaries and the next thing could be in the middle of the center of a city and very intimate. And could do something where they’re all locked in one building or all sorts of things. And the opportunity to just come up with an idea and then make it happen, even if I were to do another show it’s hard to picture having another show with that kind of narrative freedom. And also just the opportunity to write these characters that I’ve come to know so well. So I’ll miss that enormously. I think the thing that I’ll miss the least is the - and this probably true for everybody, just the schedule of banging out an episode of Burn Notice every week is pretty punishing and for everybody. And our episodes were always so overstuffed. And I think that’s one of the things that made us successful but it was also something that made it very hard on the actors and on the writers because every - can be told every single week. Ah yes, we can’t do this episode. And then, I mean by people who were doing their jobs, and then realize okay, we got to cut this. We got to figure this out. We got to do that. It was a tough process. So it’s two sides of the same coin really. JEFFREY DONOVAN: I’m going to miss the most my salary. MAN: For once an honest answer. JEFFREY DONOVAN: How much it just gave me pleasure. How it just (unintelligible). And a ton of it every week on the seventh and on a hit show that is global. MAN: Nice. JEFFREY DONOVAN: The thing I’ll miss the least, there’s - every actor has his own or his or her own idiosyncrasies and mine was, to be quite frank, I - we all knew how hard the show was since the beginning. And we knew how difficult it was to pull off, like Matt said, weekly. So the thing that was the most difficult was always some new guy that just showed up and said, “I love your show. I can’t wait to work on it.” And then they showed up. And we said, “Hey, it’s going to be a lot harder than you think.” And on the first day they underestimated how difficult. And by the end of the day you’re puffing them full of fluids. And you’re putting ice packs on the back of their neck because they’re literally dying from exhaustion. So the hardest thing to always watch was anyone who ever thought that this show was easy to do because you watched it. And then seeing them just fail miserably on their first day, but then on the second day we all picked them up and we gave them a slap on the back and said, “You can get back in there.” And they always fulfilled the commitment but that was always the hardest thing, initiating the uninitiated. BRUCE CAMPBELL: I would say I miss most the unique nature of the show because I swore on a deck of bibles that I would not do a doctor show, a lawyer show or a cop show because they drive me insane. And I would hang myself in my trailer season two if I did those types of shows. It’s just the way I’m wired. I like Burn Notice because it wasn’t any of those shows. We’re cops but we’re cooler than cops where we help people. We save lives but we’re not boring like doctors are boring. And the most boring of all is a lawyer who deals with legal stuff all the time. We deal with legal stuff every single day. We break laws every single day on Burn Noticebut we never do anything wrong. And there’s very few shows that were like it. I’m referring to it in the past tense now. So I will mostly miss that because it’s going to take a while to find another gig that is as interesting and complex and not boring. I won’t miss the heat. QUESTION: I thought you guys were going to say yogurt would be the thing you’d miss the least. JEFFREY DONOVAN: Oh no. It’s like a commercial. You know, you take a bite and spit in a bucket. SCIFI VISION: Not knowing what happens, I’m curious, do you guys think that Michael can ever walk away from the life he has, even if he has the choice and he can settle down and all that? Is that in him or is it ingrained in him to be the way he is and be helping everybody and doing this kind of job? JEFFREY DONOVAN: Have you seen the last two episodes? SCIFI VISION: No, I have not. JEFFREY DONOVAN: I think Matt appreciates how difficult a question that is. I think that what is displayed in the last episode is who (Michael is). And the ambiguous nature of a spy is always going to lend itself to the question of is he honest about choices he makes or is it for God and country or whatever the statement might be. But I think that you can take Michael out of Miami and out of the CIA but I don’t think you can ever take the hero out of Michael. And I know that sounds corny but I think that when Michael is put in a situation where he has to save someone, he’ll never walk away from that situation. But if he had a choice professionally as far as career I think he could walk away from his job with the government. MATT NIX: Yes. I agree. I think that a big (unintelligible), particularly in the last (unintelligible) what he does. like what is the nature of that compulsion. And as you go back to the origins of the series, it was always (unintelligible). And our (take) from that got more and more as we (unintelligible) well it’s not that he’s a nice guy. Something’s going on with this guy that he’s constantly putting himself in danger for all sorts of reasons he doesn’t (unintelligible). where does that (unintelligible)? JEFFREY DONOVAN: Hey Matt, I don’t know if you know this but you’re breaking up. I think you might be on a (cell phone). MATT NIX: Oh sorry. Can you hear me now? JEFFREY DONOVAN: I only heard about every fourth word. SCIFI VISION: Yes, me too. MATT NIX: Yes. I agree with what Jeffrey said in that case, if you can’t hear me. JEFFREY DONOVAN: Just put quotes around my quote and then attribute it to Matt. MATT NIX: Yes, exactly. Yes, perfect. SCIFI VISION: What do you think that you’ve learned most about yourself since starting the show? JEFFREY DONOVAN: Have you learned anything, Bruce? BRUCE CAMPBELL: Oh boy. No. Things that I suspected just came true. JEFFREY DONOVAN: That I’m an amazing actor. BRUCE CAMPBELL: Yes. Yes, that all that surprised me. Yes, of course. You learn something basically every day, some way to spin something, some way to end a scene, some way to put a little button on something. So you’re always thinking. And we’re grateful to Matt and the writers for being fluid with our inabilities in certain cases and poor memory and stuff like that. So we learned how to survive. We learned - no, here’s what it is. We learned how to do this show in seven days and that’s a lot to learn. That’s a big learning curve. And I want to find the idiot who did the first episode in seven days because I’m going to kill him. JEFFREY DONOVAN: I think that would be Matt. BRUCE CAMPBELL: No. No, somebody broke that precedent. All the other shows I did were eight days to do the same amount. MATT NIX: Eight days, yes. BRUCE CAMPBELL: And some genius came in and said, “I can do it in seven,” so I want to find that person. MATT NIX: I’d say for me that what I really learned was what I had creatively when I was pressed. Because the way the show was done - and it wasn’t just the schedule, though that had a lot to do with it, but it was having Jeffrey call up and say, “I don’t think this scene is working. I think we should do this a different way.” Or, “I want this out because (do this) or having Bruce.” And it just feels like you’re like being challenged by the actors and finding that even when I really didn’t feel like I could do it, I didn’t feel like I had the answer, that if you just trust yourself and reach inside yourself or at least my experience was just trusting the process and going, “Okay, well this is going to work out. It’s going to be challenging and I’m going to have to figure something out. And if I dig deep and I’m willing to take a risk and then we’re going to find something fun.” And at the beginning of the series there was always this panic. like everything was going to fall apart. And by the end, I felt like I learned how to do that and just trust that we could make something cool if we all knuckled down and worked together and breathed deeply through the panic. QUESTION: You have an amazing series of cast members over the years. Can you guys talk a little bit about who your favorites were and why? MATT NIX: I have tons of favorites over the years. And there were a lot of really (unintelligible) actors. The people that I tend to think about the most in terms of guest cast were the big foils to Michael. Because those were always, like for a one episode fill-in might be or guest actor of any kind might be interesting. But you’re not generally exploring a character over time, that kind of thing. And we were lucky to get Garret Dillahunt to play Simon was a really fun one. Jay Karnes, who played Brennen, came back a number of times. Tim Matheson, who played Larry. You know the opportunity sort of to explore villainy less as a dramatic conceit and more in terms of character, like who are these guys? What motivates them? Tricia Helfer who played Carla in the second season was magnificent. I’m leaving a bunch of people out. But those - actually JP, who plays James in this season, also has done a great job. So really exploring those motivations and going on that journey with an actor. And we’ve been blessed to have a lot of great ones. What about you guys? JEFFREY DONOVAN: Yes, Jay Karnes, only because it was the first time Matt had ever written a character that was smarter than Michael. And that was always the precedent, that no one in the room was ever smarter than Michael Westen. And Matt wrote a character that was smarter than Michael. But his ego got in his way, which was his downfall. But I love Jay Karnes. But as far as craziest villains, Garret Dillahunt. His Simon, the tweets that I read about how - what a great thing to bring him back and then what a clever thing that Matt and the writers did about ending - spoiler alert! - his life. And showing what Michael can be as a monster was just a great flag in the history ofBurn Notice. BRUCE CAMPBELL: The great Jack Coleman as well. You know, playing the conflicted CIA guy. I just enjoyed Jack so much, mostly as a person but his character was a lot of fun to watch because things were happening left and right around him and he was always, “Get Langley on the phone!” He was always mad. So we’d show up on set and go, “Hey, are we going to hell at each other today?” He’s like, “Yes, I think we are. Let’s do it.” And John C. McGinley was very good. And you’re right, Tim Matheson was definitely one of the best. Larry was a great recurring, just really troublesome bad guy. And I think for actors bad guys are sometimes - those are the best parts to play because you can really chew it up. And Tim Matheson certainly did          BURN NOTICE SERIES FINALE FACT SHEET
 SERIES PREMIERE: June 28, 2007 SERIES FINALE: September 12, 2013 TOTAL EPISODES FILMED: 111 FILMING LOCATION: Miami, Florida   STARS: Jeffrey Donovan as MICHAEL WESTEN Gabrielle Anwar as FIONA GLENANNE Bruce Campbell as SAM AXE Sharon Gless as MADELINE WESTEN Coby Bell as JESSE PORTER *note Coby Belljoined as a regular in season 4.   BURN NOTICE crossed the historic 100-episode mark this season with “Forget Me Not.”  Star Jeffrey Donovan directed the 100thepisode, which was the 2nd episode to air of the season.  It was the actor’s third time directing a BURN NOTICE episode during the series run.  The storyline featured the backstory on how Fiona and Michael first met in Ireland.   CREATOR & EXECUTIVE PRODUCER: Matt Nix   PRODUCTION INFO: Mikkel Bondesen, Alfredo Barrios, Craig O’Neill, Ben Watkins and Terry Miller also serve as executive producers.  From Fox Television Studios, Fabrik Entertainment and Flying Glass of Milk Productions   RATINGS A breakout hit, BURN NOTICE premiered in 2007 as the #1 new scripted series in P18-49, P25-54, and total viewers P2+. BURNNOTICE has been one of the top ten scripted series on cable every year it has been on the air. The final season continues to dominate in ratings and ranks in the top 5 scripted series this summer in basic cable prime in 18-49, 24-54 and total viewers P2+.  Season seven premiered to 6.1 million viewers and is averaging 5.6 million total viewers each week, 2.1M in P18-49 and 2.3M in P24-54.   EMMY NOMINATIONS: 4 Outstanding Sound Mixing For A Comedy or Drama Series (one hour, 2011) SHARON GLESS - Outstanding Supporting Actress in a Drama Series (2010) Outstanding Stunt Coordination (2009) Outstanding Sound Mixing For A Comedy or Drama Series (one hour, 2008)   OTHER AWARDS: Screen Actors Guild (2011) – Stunt Ensemble in a Television Series (Nominee) Writers Guild (2009) – Outstanding Episodic Drama (Nominee) People’s Choice (2013) – Favorite Cable TV Drama (Nominee) People’s Choice (2012) – Favorite TV Obsession (Nominee) Teen Choice Awards (2011) – Choice TV Actor (Nominee, Jeffrey Donovan), Choice TV Show (Nominee) Teen Choice Awards (2010) – Choice TV Actor (Nominee, Jeffrey Donovan), Choice TV Actress (Nominee, Gabrielle Anwar), Choice TV Show (Nominee) GRACIE (2010) – Female Actor in a Supporting Role, Drama (WINNER, Sharon Gless) ASCAP Film & Television Music Awards – 5 time winner (2008, 2009, 2010, 2011, 2012) Edgar Allan Poe Award (2008) –Best Television Episode Telepay (WINNER, Matt Nix) Satellite Awards (2010) – Best Actor in A Supporting Role (Nominee, Bruce Campbell), Best Actress in a Supporting Role (Nominee, Sharon Gless)   SEASON 7 BACKGROUND We kick off Season 7 by learning the details of the deal Michael (Jeffrey Donovan) made in last year’s finale: he agreed to work for ranking CIA officer, Andrew Strong (guest star Jack Coleman), driving a wedge further between himself and everyone in the group. Strong needs an operative with Michael''s background to go after a man who is suspected of running an underground terrorist network. The target is a dangerous figure from Michael’s past named Burke (guest star Adrian Pasdar). Given Michael’s successful past with Burke, he is tasked with reconnecting with him. Burke welcomes Michael and gets recruited onto a jobthat becomes increasingly dangerous and complicated. Infiltrating Burke’s network isn’t going to be easy, which forces Michael to ask Fiona (Gabrielle Anwar), Sam (Bruce Campbell), and Jesse (Coby Bell) for help. They soon realize Burke’s not acting alone. He''s part of something much bigger… a mysterious and powerful new organization of spies.   To make his way onto the next link in this terrorist group, Michael finds Sonya (guest stars Alona Tal), a former lover he once fought alongside. Michael works to win her trust to further climb up the network’s ladder—doing so results in Michael falling into bed with her gain. It further gets complicated as Sonya is temporarily brought into the team’s fold. Fiona continues to keep her guard up and for once maybe threatened by Sonya and her connection with Michael.   Michael eventually gains access to the leader of the group, a man named Kendrick (guest star John Pyper-Ferguson), who has big plans for Michael. As Michael goes deeper into the organization, he increasingly begins to admire Kendrick and the ethos he preaches: loyalty, brotherhood, and protection. Finally it becomesclear that Michael is not sure where his own loyalties truly lie when he isfaced with the opportunity to replace Jamie as the head of the organization. Is Michael growing to like, or worse thinking of joining, the organization he’s been tasked to infiltrate and take down? Michael in the meantime proves hisallegiance to Kendrick by not turning him in to the CIA just yet.   As the season nears the end, Michael further contemplates taking over the organization, which would give him everything he thought he ever wanted: autonomy and vindication… but it of course comes at a price—his family. Fiona can see what Michael will have to become in order to join this new group and she refuses to stand by and watch it happen. Fiona goes on a mission toprevent Michael from fully taking over Kendrick’s organization by taking it down herself to complete the job Michael was originally ordered to do. The end of the season sees Michael battling his own team in an all-out fight for his soul. Michael is forced to choose between the life he wants and the woman he still loves.     NOTEABLE GUEST STARS IN SEASON 7:   Jack Coleman (“Heroes,” “The Office,” “Vampire Diaries”) as ANDREW STRONG Stephen Martines (“Vampire Diaries,” “The Closer”) as CARLOS CRUZ Adrian Pasdar (“Heroes,” “Political Animals,” “Judging Amy”) as RANDALL BURKE Nick Taraby (“Spartacus: War of the Damned”) as DEXTER GAMBLE Alona Tal (“Supernatural”) as SONYA LEBEDENKO John Pyper- Ferguson (“Deception,” “Alphas”) as JAMES KENDRICK Ricardo Chavira (“Desperate Housewives”) as RAFAEL SERANO Tim Matheson (“The West Wing”) as LARRY SIZEMORE 
Garret Dillahunt (“No Country for Old Men”) as SIMON ESCHER Alan Ruck (“Greek”) as MAX LYSTER   SEASON SEVEN FACTOIDS Episode 701: Featured the reunion of two stars from NBC’s show Heroes – Jack Coleman and Adrian Pasdar. Episode 707: The first episode of Burn Notice that contains snow. Episode 703:  A lot of crew members madeappearances in this episode including series creator, Matt Nix as a reporter and Assistant Director, Oscar Aguirre as a store clerk. And Jeffrey Donovan’s wife and newborn child appeared in the final Carlito’s scene of the series.  For additional facts, please visit: http://www.usanetwork.com/content/burn-notes   GUEST STARS THROUGHOUT SEVEN SEASONS Adrian Pasdar Alan Ruck Angelica Celaya Ben Shenkman Brett Cullen Burt Reynolds Callie Thorne Clarence Williams Iii Danny Pino Danny Trejo Dean Cain Debi Mazar Eric Roberts Esai Morales Garret Dillahunt Gavin Rossdale Jack Coleman Jay Karnes Jere Burns Joel Gretsch John C. Mcginley John Mahoney Lucy Lawless Michael O’keefe Michael Rooker Moon Bloodgood Oded Fehr Patton Oswalt Paul Blackthorne Ricardo Chavira Richard Kind Robert Patrick Robin Givens Seth Peterson Silas Weird Mitchell Steven Bauer The Big Show Tim Matheson Tricia Helfer Tyne DalyLeave your commentsLogin to post a comment[b][url=http://www.newomegawatches.com/omega-gents-collection-c-8.html]watch[/url][/b][b][url=http://www.newomegawatches.com/omega-gents-collection-c-8.html]watches for men[/url][/b]

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We''re all friends.Several of us have been in from the beginning, said Leslie Scott, also a Clintonville resident. We''re a bunch of friends who play music together rather than a bunch of musicians.The group formed after several local folk-dancing enthusiasts went to a Balkan camp in New York''s Catskill Mountains in the late 1980s, Rizer recalled.The band took its name from the mixed bag of authentic instruments used, including the kontra, dumbek, tambura, kaval and santouri.It is a mixed bag, said Gehres, a retired teacher who is a longtime member along with her husband, Stan Gehres.We play about every continent, except maybe Antarctica, Tina Gehres added.Scott took up international folk dancing 40 years ago -- a physical-education requirement at the time for students at Pomona College in Claremont, Calif.Something about it hooked me and I don''t know what, but I''ve been doing it ever since, Scott said. 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High St.The arts portion of the fest will feature artists who work with fabric, paper, glass, wood and clay, as well as a mix of photographers, jewelry-makers, sculptors and fine artists.Mixed Bag will open the day''s music at 11 a.m. The lineup also includes:* The Digs, noon.* Billy Two Shoes, 1 p.m.* Erica Blinn, 2 p.m.* The Song Birds, 3 p.m.* Burn Alley, 4 p.m.* Arnett Howard, 5 p.m. Mr. Daniel''s Trail Walkers will open.CommentsOct 02, 2013| Currently: 62° Partly CloudyFeaturesZip2SaveCoupons, discounts and more.Medical DirectorySearch our medical diretory for a provider near you.Social Security GuideThisWeek''s guide to your Social Security benefits.Atlas Butler AwardsAwarding $20,000 in scholarships this year! 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DJ Skizz - The Brooklyn-Queens Experience (Soulspazm) 9.17.2013 DJ/producer DJ Skizz recently delivered a producer album that drew cosigns from DJ Premier and DJ Eclipse which is no small feat. All it takes is one listen to the hard beats featuring guest bars from a long list of notable MC''s like Masta Ace, Craig G, Tragedy Khadafi, Cormega, Lil'' Fame, Roc Marciano, Torae, REKS, Maffew Ragazino and more to relaize you need the album in your lives. Don''t waste money on major label imprint compilation albums *cough!* SELF MADE 3 *cough!* when you can instead cop The Brooklyn-Queens Experience from iTunes , Amazon , Fat Beats & UGHH . Clear Soul Forces - Gold PP7''s (Fat Beats) 9.17.2013 Four man Detroit crew Clear Soul Forces ( Departure EP & Detroit Revolution(s) ) have built up quite a reputation for their hyper lyricism and energetic stage shows over the past few years. All of the hard work and consistency resulted in a new deal with Fat beats and Clear Soul Forces stepped up to the plate and delivered with Gold PP7''s. Production   is   handled by group member Ilajide, DIBA$E, NAMELESS & Illingsworth and Gold PP7''s can be acquired from these fine digital and physical music retail outlets: iTunes , Amazon , Fat Beats ,  Sandbox Automatic & UGHH . You can even stream it on Soundcloud via Fat Beats if you want to preview it before purchasing. Grayskul (Onry Ozzborn x JFK) - Zenith (Fake Four Inc.) 9.17.2013 Fake Four Inc. has quite a year for anyone who''s keeping track at home. Releases from Sadistik, Factor, F. Virtue and Cesci amongst others have dropped all to favorable reviews and anticipation gets higher with each release. The duo Grayskul keeps the momentum going as Fake Four builds up to it''s Fall release schedule. Production comes courtesy of Smoke M2D6, Aesop Rock, 6 Fingers, Kuddie Fresh, Taco Neck, Marcus D and more. The latest Grayskul release also boasts guest appearances from Raekwon, Aesop Rock, Soliliquists Of Sound, Snafu and Reva DeVito amongst others.  Zenith can be copped from iTunes , Amazon , UGHH , Sandbox Automatic or stream & buy it directly from Fake Four Inc''s Bandcamp page .CONTINUED ON NEXT PAGE--Photo: YouTube1 2 3Follow Us On Twitter MORE ON HIP-HOP WIRED! • Bangin Candy: Tattooed Yellow Bone Brittany Dailey [PHOTO] • Jeezy, Usher, Ludacris & More Party At Moët Nectar Impérial Rosé Executive Lounge Event [PHOTOS] • Jeezy Celebrates 36th Birthday At Atlanta Restaurant [PHOTOS] • BET Hip Hop Awards 2013 Green Carpet Wins & Fails [PHOTOS] • The Wrap Up: Hip-Hop Wired''s Top 10 Songs Of The Week (9/27/13) [LISTEN] • Pharrell x Moncler Fall/Winter 2013 Collection [PHOTOS] Comments 0Tags: While You Were Sleeping , Procussions , Tanya Morgan , Top 10 Underground Hip-Hop Albums Of September 2013 (Part 2)[b][url=http://www.monclerdownjacketpro.com/]moncler kids outlet[/url][/b][b][url=http://www.monclerdownjacketpro.com/]moncler womens jackets[/url][/b]

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